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March 30, 2007
Sangiovese's Patriarchy


In This Issue

A Note from Sergio
When most people think of Sangiovese, they think of magnificent Brunello. But getting to the essence of this flexible grape requires a little more exploration. Sangiovese has been pushing its way through the rocky Italian soil since Etruscan times. It's the key to Chianti Classico, most Super- Tuscans, Carmignano, Montepulciano's drinks, and Morellino di Scansano, and it's spawned loads of clones—Prugnolo, Sangioveto, and Sangiovese Grosso among them. It's Italy's most popular wine, pumped into billions of bottles each year, and it blankets the countryside, from Umbria to Le Marche.

But Sangiovese's true home is Toscana, where it thrives on the rolling hills, calmed by continuous cool breezes. Even there, however, in such ideal conditions, Sangiovese remains a difficult fruit to master. It's a noble grape, and its gentle, graceful character can easily be crushed by an overzealous producer who blends in too much of a deeper fruit. Bordeaux-style wines, now often associated with Super-Tuscans, largely mask Sangiovese. Most producers of Chianti, who are legally required to include 80% Sangiovese (in Chianti Classico, with the Chianti designation requiring 75%) in their wines, immediately obscure its personality with Aglianico and Primitivo.   International wines, appealing for their familiarity and ease, frequently use Sangiovese as a base, instantly muddling it with heavy Cabernet or Merlot.

Today, in order to showcase the true spirit of the varietal, I'm offering an assortment of wines that let Sangiovese sing above all other notes. Some may be simple, everyday bottles and some may be major collectibles, but they are all made by Tuscan producers who, through craft, restraint, and knowledge, manage to expertly express both the sensual, feminine nature of the grape and the flavor of the soil from which it grew.

My Best,
Sergio

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Sangiovese Master

Azienda Agricola Montevertine
[ah- tzee-EN-da ah-GREE-coh-la mon-teh-ver-TEE-nay]
Founded by Sergio Manetti in 1967 as a hobby, Montevertine has passed far beyond the realm of a casual pastime and into Toscana’s upper echelon, given Manetti’s devotion to expressing the inherent quality of Sangiovese. As he believed in Sangiovese’s ability to realize a wine of quality on a solo basis, Manetti took issue with the attention lavished on the Super- Tuscan contingent. Moreover, he also objected to the Chianti Classico appellation’s criteria for aging and permitted grapes (prior to the change issued in 1996). He believed that the DOC’s efforts to cultivate a wine of universal appeal undermined Sangiovese’s image, implying that the grape’s nature precluded its expression as a single-varietal wine. Upon withdrawing from the consortium in 1981, Manetti undertook production of various bottlings that honored his conception of Sangiovese, validating its performance sans the use of the international set and introducing only minor amounts of Canaiolo and Colorino for his Rosso bottling. Manetti passed away a few years ago, leaving the estate to his son, Martino. While some feared that Martino would alter the profile of the wines, he has wholly adhered to his father’s principles, providing wines that maintain fidelity to Sergio’s vision.

Montevertine 2003 Le Pergole Torte
[leh PER-go-ley TOR-teh]
A single-vineyard pure-varietal Sangiovese bottling, Le Pergole Torte was the first of its kind to be produced in Toscana. Crafted exclusively in vintages commensurate with its breeding (in a limited case production averaging 1,500 bottles), Le Pergole Torte undergoes an extensive maceration period ranging from 25 to 30 days and is aged in both barrique and Slavonian oak for a period of 18 to 24 months. While a wine of appreciable intensity, its expression is restrained, characterized by a medium body and fine-grained tannins. Le Pergole Torte has long been one of Sergio’s personal favorites, and the 2001 has secured a place in his cellar, given its demonstrative potential for aging. While he waits upon the '01's pleasure, he may turn to the 2003 and 2000 bottlings, which offer greater approachability at present, with the former being the more expressive of the two.

Montevertine 2003 Le Pergole Torte $83.89
Montevertine 2001 Le Pergole Torte $795.00 (6.0L)
Montevertine 2001 Le Pergole Torte $1,790.00 (12.0L)
Montevertine 2000 Le Pergole Torte $1,972.00 (12.0L)


Montevertine 2002 Montevertine Rosso
While falling just shy of monovarietal standing with the minor addition of Colorino, Montevertine captures the signature style of the estate. A minimum of 90% Sangiovese, the Rosso is aged for 2 years in Slavonian oak.

The 2002 bottling is of particular significance, as Manetti chose not to produce Le Pergole Torte, declassifying its fruit and using it for the production of the Rosso. This is a consummate example of a producer overcoming a challenging vintage to realize a bottling of unexpected quality.

Montevertine 2002 Montevertine Rosso $37.13
Vino Nobile's Royalty

Il Macchione
[eel MA-kee-oh-neh]
As is the case with many wine regions, Vino Nobile di Montepulciano enjoyed great renown in past centuries, only to suffer the pangs of mediocrity in modern times. Though its present era was subsidized by the demonstrative emergence of Chianti and Brunello, the areas it lies between, Montepulciano’s wines did not enjoy the attentions lavished on those of its neighbors. While it is still overshadowed by the other two members of the Tuscan triumvirate, it emerged from obscurity through the efforts of a few producers who were committed to realizing Montepulciano’s inherent potential through its native identity, the core of which is the clone of Sangiovese known as Prugnolo. This strain of Sangiovese presented particular difficulties, given its propensity toward realizing both high acidity and a substantive, austere tannic structure. Beginning in the 1980s and 1990s, various efforts were undertaken to render a wine with a more accessible disposition: new clones and alterations in both vinification and aging disciplines enabled producers to achieve a wine that was more giving with respect to its fruit expression.

Robert Kengelbacher, the producer behind Il Macchione, spent four months visiting the vineyards of California. It was during this time that he developed many of his viticultural ideals, which he substantiated with a practical education in Waedenswil, Switzerland. Eager to apply what he had learned to the crafting of Italian wines, Kengelbacher apprenticed himself to Franco Bernabei (at Castello di Fonterutoli in Chianti Classico) for a few months, and finally found a small estate he could make his own, Il Macchione in Montepulciano. His vineyards comprise a mere four hectares and are situated in the subzone of Le Caggiole; a high altitude (400 meters) works in concert with the mildly argillous soil to craft classic representations of Sangiovese with the ability to age.

Il Macchione 1999 Vino Nobile di Montepulciano
[VEE-noh NOH-bee-ley dee mon-teh-POOL-chee-ahno]
This rendition of Montepulciano is elegant and perfumed, and represents one of the region’s best offerings of its kind. It is a structured wine possessing a taut acid frame, capturing the distinctive nature of the Prugnolo clone.

Il Macchione 1999 Vino Nobile di Montepulciano $38.50
Il Macchione 1998 Vino Nobile di Montepulciano $41.25


Il Macchione 1999 Vino Nobile di Montepulciano Riserva
In order to receive the riserva designation, the wine must be aged for a period of three years (six months of which must be in bottle), and attain an alcohol of 13%. Hailing from an exceptional vintage, Il Macchione’s riserva bottling is a powerful rendition of Vino Nobile—one whose deep-reaching flavors imply further elongation with cellar time.

Il Macchione 1999 Vino Nobile di Montepulciano Riserva $49.50
Il Macchione 1999 Vino Nobile di Montepulciano Riserva $107.25 (1.5L)

Structured Chianti

Castello di Cacchiano
[cah-STELL-oh dee cah-kee-AH-noh]
This historic estate has been in the possession of the Ricasoli-Firidolfi family since the 11th century. Giovanni Ricasoli- Firidolfi currently heads Castello di Cacchiano, having succeeded his mother, Elisabetta Balbi Valier (wife of Alberto Ricasoli-Firidolfi), who instituted the practice of estate bottling in 1974. This measure of quality control honored the estate’s significant history with wine production and set the stage for a new phase in its viticultural philosophy. Giovanni did not merely enhance the portfolio, as he sought to pursue greater quality by refining Cacchiano’s mission, primarily by undertaking a nearly exclusive focus on Chianti Classico. He intensified this highly specialized concentration by crafting one bottling per vintage. In good vintages, this takes the name of Chianti Classico; in years of excellent caliber, the wine is designated Millennio. (The estate also issues a Rosso Toscana bottling on an annual basis.)

Unlike Sergio Manetti, therefore, Giovanni sought to craft a premier expression of Sangiovese within the Chianti Classico framework. (It is of interest to note that his ancestor, the Baron Bettino Ricasoli, authored several formulas for the crafting of Chianti. He conceived of it as a blended wine and advocated the use of Canaiolo, a strategy that Manetti rejected.) Giovanni was not wholly conservative in his approach, however. Although he did choose to eliminate the estate’s Super-Tuscan bottling, RJ, he did not object, as Manetti did, to the blending of Sangiovese with international varietals. He is particularly interested in Sangiovese’s dynamic with Merlot, and believes the most effective blend is comprised of 85% Sangiovese and 15% Merlot.

Castello di Cacchiano 2004 Chianti Classico
While the estate positions this bottling as the issue of good vintages, it often makes an appearance in years that go beyond this qualitative state, ensuring that the Millennio bottling truly represents vintages of the highest caliber. This Chianti offers far more structure than the standard issue of Chianti Classico, and represents a blend of Sangiovese and Merlot. The fruit initially takes center stage in the 2004, with the Merlot discernible in a certain dimension of softness. Yet, the fruit quickly retreats backstage, deferring to the Cacchiano's structured backbone.
Castello di Cacchiano 2004 Chianti Classico $23.10

Castello di Cacchiano 2001 Chianti Classico Riserva Millennio
As aforementioned, this bottling represents this estate in years of particularly high quality and essentially serves as a riserva, though it is not technically identified as such. The 2001 vintage marks only the second appearance of Millennio since Giovanni began allowing for its potential appearance with the 1996 vintage. The 2001 is a well-structured, muscular bottling that nevertheless conveys striking elegance.

Castello di Cacchiano 2001 Chianti Classico Riserva Millennio $25.50
Sangiovese Six-Pack

Sangiovese: it’s a familiar name—perhaps just as well-known as some of the international varieties it’s had such a complicated relationship with. But its governing DOC has done it somewhat of a disservice by accommodating the fancy of the market through various changes in Sangiovese’s contribution to and partners within the Chianti formula.

The producers featured herein, however, have striven to satisfy their conception of Sangiovese, working in the best interests of the grape and maintaining its integrity by getting to know intimately how it responds to and interacts with the various elements comprising the terroir concerned. In so doing, they have satisfied their conception of Sangiovese—one that is rooted in an understanding of what this grape offers rather than what it doesn’t.

Sangiovese Six-Pack Includes:
Montevertine 2003 Le Pergole Torte
Montevertine 2002 Montevertine Rosso
Il Macchione 1999 Vino Nobile di Montepulciano
Il Macchione 1999 Vino Nobile di Montepulciano Riserva
Castello di Cacchiano 2004 Chianti Classico
Castello di Cacchiano 2001 Chianti Classico Riserva Millennio
Sangiovese Styles Six-Pack...$257.12*
*Free delivery in Manahattan.
New Saturday Seminar: Sparklers & Dessert Wines

Italian Sparklers & Dessert Wines
Saturday, April 7, 1:00–3:00 p.m., $50.00

While many look to France for sparkling selections given the cachet of its signature bottlings, Italy nurtures a notable rapport with sparklers, as they feature in everyday affairs. In fact, nearly all of Italy’s regions produce sparkling wine, offering a vast array of styles testifying to the Boot’s facility with bubbles. Lombardia and Piemonte craft méthode champenoise; the Veneto delivers its signature Prosecco, the traditional opening to an Italian meal; and other areas, such as Sicilia, employ their indigenous varietals, adding their signature to Italy’s starry set.

Italy also has a sweet side that not very many are aware of, frequently expressing this dimension of its persona through a sparkling medium. Piemonte’s Asti Spumante and Moscato d’Asti technically fall into the sparkling category, but it enters the parting scene through Brachetto d’Acqui, a red that may be either still or sparkling. The Veneto’s Recioto della Valpolicella takes us back to the “original Amarone,” the decadent elixir imbibed by the Romans, while Toscana’s Vin Santo ends things on a note of intensity, seeming to have an affinity with the spirit world.

The tasting includes:
  • Education provided by an IWM sommelier
  • Tasting Booklet (proprietary producer notes and a recipe)
  • Spiegelau Prosecco/Champagne glass to keep following the tasting
  • Sampling of regional foods prepared by IWM chefs paired with each wine tasted

  • To make a reservation via phone:
    Contact Michann Thompson at 212.473.2323, x106, to reserve your space, or to learn more about IWM's new Studio Regionale Saturday Tasting Series.

    Click to Reserve Your Space in the Sparklers & Dessert Wines Tasting
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